Posts Tagged ‘fountains’

Monasteries with dramatic gardens, adorned with garden statues and water fountains, flourished throughout Europe in the first half of the first millennium, and along with cross, monks carried the plough. Hard work, which had fallen into disfavor, was raised from the dust by the monks. “It was the special glory of St. Benedict [the founder of the order to which St. Augustine belonged] to teach the men of his day that work in the garden, sanctified by prayer, is the best thing a man can do, and this lesson has never been lost sight of since his time, as reflected in the beauty of the garden grounds.”

Within the walls of Benedictine monasteries, therefore, were large gardens with dramatic statuary, water features, and hanging wall fountain gardens cultivated by all the resident monks, often along with smaller ones assigned to the abbot and the chief almoner of the community. Formerly despised by the earliest Christians as symbols of paganism, flowers were now grown to decorate the church. The roses were often grown in large stone garden planters and was held in the highest esteem. At Subiaco is still preserved the roseto, a little rose garden set with a large stone statue of St. Benedict. The rose bushes it contains are said to be the same as those whose beauty delighted his senses, and with whose thorns he was accustomed to mortify his flesh.

The coming of St. Augustine to Canterbury in 597 A.D. was the beginning of a new era in gardens for the British Isles. The civilization, arts, and letters which had fled before the sword of the English conquest in post-Roman times returned with the Christian faith. In England, the revival of horticulture and decorative gardens and the introduction of several new vegetables and fruits was brought about by the Benedictine St. Augustine and his disciples. The flourishing gardens sported water fountains whose design was clearly inspired by the fountains of Italy.
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Garden Sculpture & Fountains added much to the decorative effect of the Roman garden. Carved balustrades, benches, tables, bas-reliefs, and statuary were considered the most important part of many gardens, and were beautifully designed. To supply this ornamentation, shiploads of the finest sculptures, statuary, and artistic fountains were exported from Greece to adorn Italian pleasure grounds.

As in Greece, garden statues were usually set up in honor of some appropriate divinity. Accordingly, images of the Graces, the Seasons, Pan, Sylvanus, Flora, Pomona, and Vertumnus were frequently erected. Terminal statues with knobs below the shoulders, from which a votive garland of flowers might be hung, seem especially fit for the open air.

Refreshment being one of the most desirable luxuries for human beings and a necessity for the vegetation, an abundance of water fountains were indispensably connected with out-of-door dwelling-places. In the baths, fish-ponds, and fountains, great ingenuity was displayed to please the eye while the body was being reinvigorated.

From an elaborate chateau d’eau to a slender font of a drinking water fountain, almost every form of ornamental hydraulics with which we are familiar, and many others now unknown, seems to have been employed by the ancients. At Pompeii there are a variety of outdoor water fountains in a good state of preservation. Hardly any main area is without a rectangular basin of water a foot or two deep, either lined with marble or mosaic. Usually they are placed entirely below the level of the pavement, but occasionally the edge of the basin is surmounted by a marble statue rising a few inches above the surface. A marble table or statue was often placed in connection with these fountains.
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If you visit the Piazza del Campidoglio in Rome then you’ll find three fountains of interest in this imposing square. These fountains each have a particularly interesting history. They haven’t actually been in place in their current setting for that long but each fountain has had a rich and varied background. In fact, the sculptures you’ll see on these three fountains can trace back their roots to the early days of Christian Rome.

The first of the three fountains that you’ll probably notice in the piazza is the central fountain that leads up to the magnificent Palace of the Senators. Although originally planned by Michelangelo when he laid out designs for the piazza, the fountain was only constructed in the reign of Sixtus V who diverted a water supply from the Acqua Felice that could then supply a fountain. Original plans had decreed that this fountain would contain the figure of Jove as its centerpiece, instead it was built around the figure of Minerva who stands as the figurehead of Rome. Minerva’s statue has partly been restored in modern times but the torso was brought to Rome from Cori so it is actually of great historical significance.
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Fountains are one of the most comforting and beautiful elements found in garden design. Any time you think of a world-class garden that you have seen and been impressed by, it almost certainly will include some sort of fountain or other water element. Whether it is in Italy, Japan, Spain or any other country, everyone around the world understands the need for a beautiful garden to also be a place of relaxation and meditation. Not just visually relaxing, but every bit as important if not more so — calming and soothing to the ear. Nothing accomplishes that more than water in motion.

The Japanese, especially, seem to have a deep understanding of how important water elements are because they blend it so magically with the calm of their beautiful and serene gardens. They immediately bring to mind Koi ponds and the art of Feng Shui.

The types of garden fountains today are almost endless. They include every material and every design imaginable. From indoor to outdoor, floor to wall, tabletop to pedestal; you will find them in virtually every natural and man-made substance known to man. Some of the most popular are natural stone, brass, copper, etched glass, slate and stainless steel.

If you have a large estate or lot, they are especially beautiful in ponds and lakes. On smaller lots, simple backyard fountains or swimming pool fountains can also be very attractive.

Something new to me and absolutely charming is a “rain chain”. You add them to your gutter system and they become linked funnels that channel the rain gently from the roof to the ground, sparkling and bubbling as it flows.
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The Roman de la Rose gives the best possible idea of both the French and English gardens of the Middle Ages. It was chiefly written by Guillaume de Loris, in the first half of the thirteenth century, and was probably well known in England before it was translated by Chaucer into English. There are several manuscript copies of it containing descriptions in the text, accompanied by illustrations giving vivid pictures of the pleasure garden. Its form—the walls enclosing it with their surrounding moat, the subdivisions of latticework, the “flowery mede,” shaded by fruit trees, with a fountain in its center, and the stone-coped beds, containing clipped shrubs and other smaller plants—are clearly shown from various points of view.

In the most important of these illustrations (which is on the opposite page, and was taken from a fourteenth-century Flemish manuscript preserved at the British Museum), the garden is shown as a whole, ornamented with many quaint details. It is enclosed by a crenellated wall, surrounded by a moat. The subdivisions are formed by a fence of wooden trellis-work, on the topmost railing of which is balanced a peacock. In the left-hand division is a copper fountain head, where the water, spouting from lions’ mouths, drips into a circular basin, and runs off through a marble channel embedded in the turf. Velvety grass, thickly sprinkled with daisies, surrounds the fountain and forms a soft seat for the little company of merrymakers who are singing and playing upon musical instruments.
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As the cultivated ground of estates grew in size, it gradually came to be divided into compartments. These subdivisions were usually formed of latticework with square or diamond-shaped apertures, more or less ornamental as during the classic era. There were beds for plants raised several inches above the level of the path, retained by a stone coping, and fenced in with wattles, latticework, or open wooden railings. Fruit trees and herbs predominated, for as yet flowers were given no especial prominence in the garden. The main paths or alleys were covered with sand, and usually broad enough for two or three people to pace abreast. Narrower paths were intended to facilitate the weeding of the beds.

Resting-places were provided for those who found walking or standing tiresome. Simple benches cushioned with turf were built into embrasures or against the wall. Earth banked up around the trunk of a tree, grassed over and held in place by wattled osiers, formed a circular seat. In the center of the garden a three-sided exedra constructed of stone or brick, covered with grass and flowers, often formed the most important feature. Arbors or bowers were wooden structures covered by shrubs and vines and usually shading a comfortable seat.

Water in various forms was always, if possible, introduced into the garden. Fishponds, bathing pools, and fountains were common. Usually the central and most ornamental architectural feature of the pleasure garden was a fountain. The earliest
of an ornamental appearance were apparently of Oriental design.
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The Tudor garden was a homely enclosure, like the living room in a simple house containing few, but good-sized, apartments. Sometimes one large enclosure answered many purposes. First of all, it contained the medicinal herbs. Then it answered the purpose of the pleasure garden, providing alleys and arbors for people to walk on and sit under, besides ground for games. Finally, it supplied a mixture of vegetables and flowers for use and ornament. The orchard, if not actually a part of the garden, was placed near it and similarly ornamented.

A number of sun-dials were also scattered about, both for use and ornament. Henry VIII apparently ordered them by the dozen. Sun-dials had existed in England before the Roman invasion, but interest in them seems to have been especially keen during the sixteenth century. The first book in English devoted to dialing was published in 1533, and was largely a translation from Witkendus. At this period the actual dial was more fanciful than at a later date and often formed an armillary sphere.

A water supply was considered a very important adjunct to the garden. A central feature was often a well or fountain fed by a spring, or a cistern. Cisterns were made of lead and decorated in such a way as to make them very ornamental.
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Above all, the pleasure garden was intended for the diversion of the chatelaine. As early as 1250 we learn from a contemporary record that Henry III, to gratify Eleanor of Provence, ordered his bailiff at Woodstock “to make round about the garden of our Queen two walls good and high with fountains so that no one can enter, with a well-ordered herbary befitting her position, near our garden pond, where the said Queen may roam about freely.” Here she might have meditated in solitude under a leafy bower, have enjoyed a tete-a-tete with a bosom friend enthroned on a turfed seat, or in pleasant company have paced up and down the sanded alleys, flanked by the pleasant sound of water from the fountains.

As an agreeable alternative from the smoky castle hall, the pleasure garden was evidently the favorite place for recreation; and why not, since the pleasant forces of nature and tranquil sounds of falling water from the fountains was certainly a pleasing environment. It was often chosen for giving audience and receiving friends. Entertainment was furnished by the troubadours, who sang their Chansons de Geste, interspersed with romances of the Crusades, of prowess, and of love; by the jugglers and tumblers, who performed wonderful tricks and gymnastic feats; and by the dancing-girls, whose graceful motions were of an Oriental character. The guests themselves also frequently caroled, or danced in a circle, sang songs, and played musical instruments on the steppes of the fountains for their own diversion.
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